Tag Archives: protagonist

Whose Point of View?

12 Feb

When I am thinking about No Way Out, in terms of its development in how it is told, I have phrases (yes they are already bubbling under the surface) that would not fit into traditional dialogue. So if working this into a script, how do I get around this?

Traditionally if we are writing a novel, we have the freedom to explore the thoughts and mind processes of our protagonist. Should we wish, we can make them completely open, no secrets, no lies, a soul laid bare.

I entered 'soul laid bare' in google images and this is what I got. i thought it was quite emotive.

When scripting, we are to determine the thoughts either through the dialogue, a verabl expression or action, but there is always the chance they are holding something back from the audience, just as we ourselves may choose to edit our conversation. It is the classic sting in the tale, what is the narrator not telling?

I have two paths I am considering right now in terms of how I write this script. One allows for me to explore the depth of what the reader knows, the other is more traditional in its approach.

Option A

I like the fact that the short story was told in reverse. Taking that, I am thinking that Steves story is told from the hospital bed, where he is in a coma. We can return to the hospital bed from time to time, where we will see visits primarily from Michael (the son) and Becky (the cashier). These will interrupt the flow of the story just enough to allow it to take a sharp turn in what part is being told rather than being about the visit.  Steve will be the narrator of his own story in a kind of Shawshank Redemption style (though obviously not with that finesse – I may be good (ha ha) but not that good!

Option B

The alternative is to tell the story from Poppys (wife) point of view. I think this potentially could take us on a completely different journey and have our expectations and emotions turned on their heads in relation to what we would feel with option A. This story would start from Poppy having the miscarriage, and would not necessarilly require a narrator. We wouldnt know Steves thought proceses, just the devastation of his actions to those that ‘love’ him.

To make a definitive decision, I need to confirm the key plotlines that are to feature. This may sound a little strange, after all, we already have the story, we are just making a short long. No we are not.

I could just take the story and fill in the blanks, but I dont think that would be much fun. I have already drawn the conclusion that for me, if writing is a slog, that is how the story reads. Hence why we are mixing this up, playing around considering various angles. So…

I am going to write a synopsis. Now I am not very good at these, and as I haven’t fully decided which perspective this story is to be told from, it could potentially be too long and unbearable to be worthwhile. I am thinking that I should write several. Obviously they would be the same in many aspects, but likewise they will be very different.

Before I begin however, I would really appreciate your thoughts. Have you ever been in this position before? You know, questioned the perspective of the story? Have you any tips for getting round this?

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